Furman University

Dick Maag was a gentleman and a gentle man. A rare combination of strength of purpose, power of concentration, and self-discipline buoyed by grace and charm, he was remarkably sensitive and attentive to others. A radiant, generous man, he loved to laugh; his smile was infectious; his friendship cherished. He won the love and respect of all who knew him.

Maag had been professor of music at Furman since 1964, where he taught cello and music education. He was also a 37-year veteran of the Greenville Symphony Orchestra. Over his career, he served as principal cello in the Greenville, Colorado Springs, Austin, and San Antonio symphonies. He taught very young cello students using the Suzuki method and introduced Suzuki Talent Education to South Carolina.

Born in Arkansas City, Kansas, Maag received a bachelor of arts from the University of Kansas and master of music and doctor of musical arts degrees from the University of Texas, where he began his teaching career in the internationally renowned Texas String Project. He served as a national leader of the American Strings Teachers Association, and in 1999, he was inducted into the South Carolina Music Educators Hall of Fame.

Neither flamboyant nor eccentric, Dick Maag was an unpretentious member of a profession notorious for its prima donnas. He helped puncture our solemnities. Dick never pontificated; he was as eager to listen as to speak. He displayed the rare ability to discuss and debate without irritating others. His refreshing candor was the expression of a soul who did not wish to wound anyone but felt compelled to speak the truth as he saw it. So apt was he to offer a fresh idea or insight, to speak some disarming or crystallizing word, that we still feel the impulse to seek his advice.

Dick Maag manifested an almost holy concern for music and a wholehearted devotion to teaching. From the beginning, he knew what his calling was, and what he believed informed his teaching. As a Christian Scientist, he cherished God's healing power, and his abiding faith made him a healing presence among his students and colleagues. He helped his students realize that the study of music was something exalted, a precious privilege for which they should always be thankful. In mediating between a work of music and the young people eager to perform it, he played the role of an inviting guide. He encouraged students, teased them, entertained them, laughed and cried with them.

What most inspired Dick Maag was the achievement of others. He was as supportive of students and colleagues as he was talented in his own right. When a student mastered a difficult piece, his cheeks would flush, and his eyes would sparkle with satisfaction.

We often fail to appreciate the value and rarity of simple encouragement. For his many students over the years, Dr. Maag was much more than an instructor. He was an adviser about life itself, a confidant, a friend and an advocate. Nor did the relationship end with the awarding of a degree. Over the years, he helped former students nurture their careers and families while bolstering them to sustain a lifelong commitment to music.

A recent survey reports that Americans fear cancer more than anything. Yet over the last four months, Dick Maag bore his fatal illness with stoical good cheer. There was nothing grim or desperate about his final days. Serenity enveloped him.

Great musicians and teachers never truly die; their influence echoes through their music and their students. We will remember Dick Maag as much for the person he was no less than for all that he achieved.